|
內容簡介：
埃塞爾·史密絲女爵/克拉拉．舒曼/艾美．畢琦:小提琴奏鳴曲
泰絲敏．里托小提琴
約翰.里納翰鋼琴
The renowned violinist and exclusive Chandos artist Tasmin Little returns with a line-up of three women composers whose lives share some features but also significant differences that illustrate the complex lives of female musicians.
Clara Schumann, Dame Ethel Smyth, and Amy Beach all came from families that encouraged their musical interests but balked, in varying degrees, at professional training and engagement. All three composers draw on the influence of Robert Schumann and Brahms; Beach and Smyth, in particular, were fond of metrical and motivic manipulation.
Tasmin Little plays this music, so close to her heart, with her usual warmth and dexterity. The manuscript of Clara Schumann's final chamber work, Three Romances, declares it 'for piano and violin', an ordering reflected in the relative complexity of the parts, the florid passagework here played beautifully by Little's long-term collaborator, John Lenehan.
AMY MARCY CHENEY BEACH
Sonata, Op.34 (1896)
28:19
1.Allegro moderato - Animato 0 [Tempo II, slower] - Animato [Tempo I] -9:12
2.Scherzo. Molto vivace - Piu lento - Tempo I - Vivo4:22
3.Largo con dolore - [ ] - Tempo I7:45
4.Allegro con fuoco - Piu tranquillo - Tempo I - [Tempo II] -6:59
CLARA SCHUMANN
Drei Romanzen, Op.22 (1853)
8:56
(Three Romances)
for Violin and Piano
5.IAndante molto - Animato - A tempo2:52
6.IIAllegretto. Mit zartem Vortrage2:21
7.IIILeidenschaftlich schnell3:40
DAME ETHEL SMYTH
Sonata, Op.7 (c.1887)
23:54
8.IAllegro moderato8:38
9.IIScherzo. Allegro grazioso 2:34
10.IIIRomanze (Dante. Inf. V. 121). Andante grazioso - Allegro -7:15
11.IVFinale. Allegro vivace - Poco piu mosso5:24
AMY MARCY CHENEY BEACH
12.Romance, Op.23 (1893) 6:19
13.Invocation, Op.55 (1904) 3:56
Total time: 71:27
Solo: Tasmin Little violin
Solo: John Lenehan piano
|
留言列表
